tag:blogger.com,1999:blog-33201179570036592652024-03-13T15:48:21.600-04:00Painting the Soul of AmericaAn artistic journey by artist Jeff Fioravanti to capture the treasured lands and shores of AmericaJeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.comBlogger69125tag:blogger.com,1999:blog-3320117957003659265.post-67695858622944921862020-10-18T15:44:00.005-04:002020-10-18T15:46:16.901-04:00<p></p><div class="separator" style="clear: both; text-align: center;"><h3 style="text-align: left;"><div class="separator" style="clear: both; text-align: left;"><a href="https://1.bp.blogspot.com/-7bG_b7Z4EEQ/X4ybCytrUxI/AAAAAAAAAW0/rlIK4xU4NKYleWldARhK9_LLtCji3kzowCLcBGAsYHQ/s759/treasured_memories_old_paint.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="759" src="https://1.bp.blogspot.com/-7bG_b7Z4EEQ/X4ybCytrUxI/AAAAAAAAAW0/rlIK4xU4NKYleWldARhK9_LLtCji3kzowCLcBGAsYHQ/s320/treasured_memories_old_paint.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Treasured Memories (Old Paint) 11 x 14 UART 400 GRIT 8 Ply Board</div></h3><div class="MsoNormal" style="font-family: Cambria; margin: 0in 0in 0.0001pt; text-align: left;"><br />A child watches their father lay the first fresh coat on the clean new wood beneath the stair, the bolt then securely fastened and a new place is born for a bike, hand prints upon the latch, giggles as the spoke wheeled metal frame is removed, a hiding place during hide and seek, shade to eat a popsicle on a July day and a place to scare a sister come Halloween. Where a first kiss was met from a girl next door before her mother called her home for supper. Children age, they visit less frequently, not able to fit as well in the old coat, they grow so fast, the first coat, is scraped down and new coat is fit and applied. Years continue to march on, the bike no longer fits beneath, the hiding place cramped by the lawnmower that now rests there on summer days. Seasons come and go and again the paint is scraped and covered with a new coat as a bit more what once was is gone or buried beneath. The father cannot stoop as well to lay down the paint and the bolt now wears its own hat and coat of paint; screws having sealed it in place with several shades of rusted orange. Rain and snow are eating at the metal, burnt orange spreads out and stains, as cracks appear, wood splits and a trash barrel now resides beneath the stairs. Children grown, their adult hands only touch to help dad replace what is to be stored. Memories of times past will creep at odd moments as a finger picks at the coats of paint, we dream of being a child again, but we have been scraped and covered with our own new coat but beneath we are holding tight the last of our own old coat of paint.</div><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><br /><p></p>Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-20865243857867375372019-09-03T16:10:00.002-04:002019-09-03T16:10:39.332-04:00<div class="separator" style="clear: both; text-align: left;">
<a href="https://1.bp.blogspot.com/-RIXZ8b47CuQ/XW7G4-L_UvI/AAAAAAAAATM/drfRlZdy6-0374GLcSGdpDXeGZvurXebACLcBGAs/s1600/each_year_the_rose_returns.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="843" data-original-width="1049" height="257" src="https://1.bp.blogspot.com/-RIXZ8b47CuQ/XW7G4-L_UvI/AAAAAAAAATM/drfRlZdy6-0374GLcSGdpDXeGZvurXebACLcBGAs/s320/each_year_the_rose_returns.jpg" width="320" /></a></div>
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Each Year the Rose Returns 16 x 20 pastel on 8 ply UART Board, 400 Grit</h3>
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Witness to children’s voices, lover’s strolling by, warm summer rains, and winter’s chill. The tragedy of life and it’s best moments too. A bride standing nearby with hope and dreams not yet realized. The gnarled bones of an old man clutching his popcorn to feed the geese, as he remembers with heavy heart she who left not a year ago. Each year the rose returns to bring joy to those who stop for a moment to marvel at its beauty. Most just push by heading to a meeting with that impossible client, cell phone to ear or some distraction that results in head bent oblivious to what surrounds them beyond the illuminated screen the captures their stare. But oh, those who stop, the wind, the sun, that one person, eyes transfixed, to marvel at what they are, will make the resplendent bloom determined to return year after year.<o:p></o:p></div>
Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-1099216149400632732018-10-08T11:25:00.002-04:002018-10-08T11:32:24.422-04:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-sNhBoB_7gkg/W7t2veMXJMI/AAAAAAAAARw/3lOrolL7JFsi2Sprz3QGz4Z19HfGjA6zQCLcBGAs/s1600/weathered_worn_tattered_torn.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="766" height="250" src="https://2.bp.blogspot.com/-sNhBoB_7gkg/W7t2veMXJMI/AAAAAAAAARw/3lOrolL7JFsi2Sprz3QGz4Z19HfGjA6zQCLcBGAs/s320/weathered_worn_tattered_torn.jpg" width="320" /></a></div>
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When I was but a young lad some 50 odd years ago, I could
not imagine a summer day without family and friends playing ball, be it a pick
up game of Home Run Derby at Stackpole Field or Whiffle Ball in the Roby
School. Football, touch or tag at the same locations, street hockey at parks
around town. Summer meant first light to when the streetlights came on, only
going home for maybe a quick lunch or some change for the 3 PM Ice Cream truck
run. <o:p></o:p></div>
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During a recent walk from my home to the town where I grew
up, no worries, it is only a five mile round trip walk, but during that walk I
was reminded of my times noted above and how quiet the parks and ball fields
are these days. Every elementary school in town had a ball field used for Minor
Little League, later T-Ball and both girls and woman’s adult softball. As I
passed one of these schools during my walk, the infield dirt now overgrown with
grass, the rubber of the pitcher’s mound barely visible, I could hear the
echoes of my youth slowly fading like the silence on those fields. <o:p></o:p></div>
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As I stared out at that overgrown field, I noticed this
white object just beyond second base in the outfield grass. I walked out to
pick it up and found this baseball. It was all in tatters. I thought how
appropriate. It spoke to me of not just what once was, but what has become of
great pastimes and memories.<span style="mso-spacerun: yes;"> </span>I placed
the ball on the weathered bench and thought, and so this is what we’ve become.
Baseball perhaps above all other sports reminds us that interest in
participating and playing these games has waned in favor of worn thumbs on hand
controllers, an inability to understand and appreciate the nuances and the
beauty of the sport in a world of fast paced, I need it now lifestyle. This is
what our youth, our past time has become. We share no commonality. We’ve grown
old and tired, the young bored and complacent. No sport perhaps shows that more
than baseball. The playoffs that are just starting can be quite exciting, but
those moments are few and far between. <span style="mso-spacerun: yes;"> </span>The sport, what it meant to be a child in a
different time, my time, my life, they have all become like this broken
baseball and this splintered weather bench. It has become weathered, worn,
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<!--EndFragment--><br />Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-40621204027082373112018-05-28T17:30:00.001-04:002018-05-28T17:30:30.810-04:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-GUcyUwe0IlE/Wwx0lVCreBI/AAAAAAAAARM/EJ4SvwHlhhk0XLCM8yCJ6ekDQkcbjNzrwCLcBGAs/s1600/summer_breeze_web.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="800" height="240" src="https://2.bp.blogspot.com/-GUcyUwe0IlE/Wwx0lVCreBI/AAAAAAAAARM/EJ4SvwHlhhk0XLCM8yCJ6ekDQkcbjNzrwCLcBGAs/s320/summer_breeze_web.jpg" width="320" /></a></div>
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Summer Breeze 12 x 16 pastel on 8 ply UART Board, 400 Grit</h3>
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Living in New England sometimes it feels like we have only two seasons, Winter and not Winter. The summer’s can at times be rather cool and other times quite hot. It is the way that Mother Nature intends as hearty New Englanders we adjust accordingly. That being said, it is during the Winter time that days of Summer can help carry us through the cold, snow, slush and barren gray of the day. The thoughts of sitting by the shore as a warm sun filters down, the one you love on your arm as day sits in the time that is not quite afternoon, but not evening either, when the breeze kicks up and a waves seem to increase in sight and sound, the blues and greens mix together, close to the shore the seaweed sways in the pull of the currents and is seen through the entwined foam and water. Spray hits the rocks illuminating all kinds of colors forged so very long ago. It is peace, it is tranquility and it is all lost on a Summer Breeze.<o:p></o:p></div>
Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-9310753931594683742018-04-25T16:39:00.002-04:002018-04-25T16:39:56.847-04:00<div class="separator" style="clear: both; text-align: center;">
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Widows Lament Pastel 400 Grit Uart 8 ply board 12 x 18</h3>
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<span style="font-family: Cambria; font-size: 12pt;">I have spent a good portion of my life up in Gloucester, Rockport, Magnolia, and all along the coast of New England. My relatives are from that area and I knew well about those that go down to the sea in ships. I had an uncle who lost an arm working on a fishing trawler and a relative have his boat wrecked at Norman’s Woe, famed for the Wreck of the Hesperus made famous in Longfellow’s’ poem. The hard life of being a fisherman was one of great toil and little reward for those who worked the boats. Yet something about the sea shall always call the human spirit and it was no different for the men and later women who left the safety of harbors and shore to ply their trade, to catch fish, to be one with the sea. Each time the lines were cast off, the spouse might stand upon the dock, children in tow, wondering, is this the last time they would see their love. Was he truly her love, or was love of the sea first in his heart. Would love for the sea claim yet another. They knew storms in these parts come upon the coast quickly. Racing up the east coast from the Carolinas, the counter clockwise spin of the winds causing a northeast wind to rival any hurricane found in warmer climates. Yet mouths needed to be fed. Bills need to be paid and as his wife bid farewell, the last kiss still moist upon their lips, when those storms came, one could not help but think, this time maybe they should have held on a little longer, begged a little harder. Maybe this time, they could break the seduction of the sea, the sound of the sirens calling her husband, to his death. As the last image faded from site, as the storm kicked up, with each drop of rain, each rush of wind, would brush and mingle with the tears of a widow’s lament for letting him go. </span>Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-82033468843667515092018-04-16T14:35:00.001-04:002018-04-25T16:40:43.993-04:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-DwAoMiJiwRs/WtTsYAZEKqI/AAAAAAAAAQE/qXYnVrXYBJ0wBCROzubpgf_B9pbOW7WhACLcBGAs/s1600/sanctuary_inner_harbor_rockport_ma_web.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="780" data-original-width="600" height="320" src="https://3.bp.blogspot.com/-DwAoMiJiwRs/WtTsYAZEKqI/AAAAAAAAAQE/qXYnVrXYBJ0wBCROzubpgf_B9pbOW7WhACLcBGAs/s320/sanctuary_inner_harbor_rockport_ma_web.jpg" width="246" /></a></div>
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Sanctuary (Inner Harbor, Rockport, MA) <br />Pastel 17.75 x 22.75 400 Grit UART 8 ply board </h3>
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No offense to my south shore and southern New England brethren but I have always found the coast of New England, northern New England with its rocks and strong lines more interesting than the sandy dunes more often found on Cape Cod and other areas south of Boston. But no matter where you prefer or reside, sailors and fisherman have long found the harshness of the storms that come off the Atlantic with those North East winds need special protection. They built harbors, like this one in Rockport to protect their livelihood from the wrath of Mother Nature. Even behind granite structure like this did not always provide safety for when Mother Nature truly is angry with her children there is no sanctuary or escaping her fury. <o:p></o:p></div>
Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com1tag:blogger.com,1999:blog-3320117957003659265.post-15423420503476687722017-12-23T13:26:00.001-05:002018-04-16T14:38:02.842-04:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-VwmvxC6DdGg/Wj6fSP21enI/AAAAAAAAAPo/xxIgdWSMBoAUojkEE9KYK_8qm2NPW27GQCLcBGAs/s1600/new_hope_she_gives_me.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="547" data-original-width="800" height="218" src="https://3.bp.blogspot.com/-VwmvxC6DdGg/Wj6fSP21enI/AAAAAAAAAPo/xxIgdWSMBoAUojkEE9KYK_8qm2NPW27GQCLcBGAs/s320/new_hope_she_gives_me.jpg" width="320" /></a></div>
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<span style="font-size: medium; font-weight: normal;">New Hope (She Gives Me) 16 x 20 Pastel
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<span style="font-weight: normal;">Sadly there are only two National Historic Sites dedicated
to the visual arts. Both are in New England, those being the Saint-Gaudens
site, which is located in New Hampshire and the Weir Farm in Connecticut.</span></h4>
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<span style="font-weight: normal;">The Weir Farm is off the beaten path along the CT/NY border
and as I found out many in CT do not know it exists. During my own visit to
that pristine place I was strolling about thinking of the artists that at one
time walked there: John Singer Sargent, Childe Hassam and John Twatchman are
just a few of painter J Alden Weir’s friends.<span style="mso-spacerun: yes;"> </span></span></h4>
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I found this scene during my journey around the grounds. I
found myself being attracted to the morning light as it came through the same
gate those talented artists walked through did many years ago.<span style="mso-spacerun: yes;"> </span>I thought of their footsteps, how Weir came
to this place and so much more. I thought of my own journey, especially since I
had lost my wife a year and half previous to this visit, how my life had
changed from what I expected, had planned, had dreamed over the years with my
wife, and now that she was gone, how my path was now changed and continues to
change forever.</div>
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I had resigned to myself that this change, this journey that
I was now undertaking I would probably be one I would be taking alone. It was
not, as time wore on, that did not want somebody back in my life, to share a
life, create new memories for that new journey, it was just that apparently in
today’s world I don’t measure up to what woman want, both literally and
figuratively. After many rejections, I had pretty much determined that I might
as well give up and start planning for a life alone. <o:p></o:p></div>
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Then as the saying goes, when you least expect it and you’re
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She came into my life on a Sunday evening in late July 2017.
Like the soft breeze along Lynn Shore Drive and Lynn Beach, which is where we
took our first walk on that summer night, talking and laughing for just about
two hours. It felt natural, it felt right, it felt like we had known each other
for years, had merely lost touch and now the circle that is life had brought us
back together. But we had never met, at least not in this life, but still there
was something special about the night, about her, about us. Things just seemed
to click. It is now a number of months since that July night, and we remain as
one, making new memories, sharing a new journey, and falling in love time and
time again. She has ignited a spark deep within my heart where it had turned
cold. She has taught me to once again to dream of what can be. <span style="mso-spacerun: yes;"> </span>She has given me love and she has given me
hope. It is because of her and the gift she has given me that this painting is
titled “New Hope (She Gives Me)”</div>
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Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com1tag:blogger.com,1999:blog-3320117957003659265.post-23126695643516396852017-07-26T21:14:00.002-04:002017-07-26T21:14:10.544-04:00<div class="separator" style="clear: both; text-align: center;">
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Coming in for the Evening<b> </b> <span style="font-family: Cambria; font-size: 12pt;">UART 12 x 16 8 ply panel</span></h4>
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Long battling the elements and the challenges of the ocean,
lobstermen have been working the waters in New England since colonial times.
During those early years, lobsters were found in tidal pools. They were
extremely abundant and were considered “poverty food” with it often being fed
to children, prisoners and indentured servants. Indentured servants were people
who sold their services to sponsors in exchange for transport to America. They
came to detest lobster so much that they started to write into their contracts
that they could not be served lobster more than three days per week.</div>
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In the 1800’s, lobster and canning became a match made in
heaven. It was soon one of the most desired canned meats. With increased train
travel, people ventured into New England. This caused an increase interest in
fresh lobster as those traveling to the area had experienced and enjoyed the
canned version for years. Restaurants and hotels recognized the desire for
fresh lobster and being good businessmen and women, started to jack up the
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Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-9038964645710869312017-07-04T13:10:00.002-04:002017-07-04T13:12:15.381-04:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-lhQtmeuXE8w/WVvJ0CA0F-I/AAAAAAAAAOc/kk9l8IhqFT4T_cAL9Z3KG3aEd3eNMfeFgCLcBGAs/s1600/The-Vision-Place-of-Souls-postcard-front--web.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1186" data-original-width="1600" height="237" src="https://2.bp.blogspot.com/-lhQtmeuXE8w/WVvJ0CA0F-I/AAAAAAAAAOc/kk9l8IhqFT4T_cAL9Z3KG3aEd3eNMfeFgCLcBGAs/s320/The-Vision-Place-of-Souls-postcard-front--web.jpg" width="320" /></a></div>
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The Vision Place of Souls July 5 - December 22, 2017 at the Lynn Museum - an exhibit of landscape paintings depicting the Eastern Theater of the American Civil War by Jeff Fioravanti<br />
<div class="detail-item" style="font-family: Arial, sans-serif; font-size: 12px; margin: 0px; padding: 3px 0px;">
<span class="event-when" style="display: block; margin-left: 7em;"><br /></span></div>
<div class="detail-item" style="font-family: Arial, sans-serif; font-size: 12px; margin: 0px; padding: 3px 0px;">
<span class="event-details-label" style="clear: left; color: #4e4e4e; display: block; float: left; font-weight: bold; margin: 0px; width: 7em;">Where</span><span class="event-where" style="display: block; margin-left: 7em; max-height: 190px; overflow-x: hidden; overflow-y: auto;">Lynn Museum/LynnArts, 590 Washington St, Lynn, MA 01901, USA (<a class="menu-link" href="https://maps.google.com/maps?hl=en&q=Lynn%20Museum%2FLynnArts%2C%20590%20Washington%20St%2C%20Lynn%2C%20MA%2001901%2C%20USA" target="_blank">map</a>)</span></div>
<div class="detail-item" style="font-family: Arial, sans-serif; font-size: 12px; margin: 0px; padding: 3px 0px;">
<span class="event-details-label" style="clear: left; color: #4e4e4e; display: block; float: left; font-weight: bold; margin: 0px; width: 7em;">Description</span><span class="event-description" style="display: block; margin-left: 7em; max-height: 190px; overflow-x: hidden; overflow-y: auto; white-space: pre-wrap;">We are pleased to announce that the Lynn Museum/LynnArts organization will host a six-month exhibition of the works of artist Jeff Fioravanti, entitled “The Vision Place of Souls”, which focuses on Fioravanti’s interpretations of the Eastern Theater of the American Civil War.
Fioravanti, a Lynn resident, is a nationally accomplished pastel artist and oil painter. He has long possessed a love of the American Civil War inspired by the artists of that conflict including Winslow Homer, Conrad Wise Chapman, Richard Norris Brooke, Alfred Waud as well as the prints produced by Currier and Ives. He has often parlayed his love of art and American history to help a number of organizations preserve the lands and artifacts of this traumatic period of our nation.
His Civil War works have received great acclaim. The late author and Civil War historian Brian Pohanka once said that “Jeff Fioravanti’s paintings evoke an almost tangible sense of place; not in the hills and streams, the fields and forests alone, but in the still greater sense of the heroism and sacrifice that transpired there. The landscape itself is a timeless memorial to those heroes in blue and gray; and Fioravanti has created a lasting tribute to that Hallowed Ground.”
The exhibit curator is noted local artist and arts advocate Jocelyn Almy-Testa, who also serves as Executive Director of Extras for Creative Reuse in Peabody, MA.
“The Vision Place of Souls” will be on display from Wednesday, July 5--Friday, December 22nd from 10AM-4PM Tuesday-Friday and 9AM-1PM Saturday, at the Lynn Museum, 590 Washington Street, in the heart of downtown Lynn. A full calendar of programs related to “The Vision Place of Souls” will be announced in June 2017. </span></div>
Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-50314788657483313362017-07-04T13:00:00.001-04:002017-07-04T13:00:15.012-04:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-WIiQxVsfuMI/WVvJRAhEf7I/AAAAAAAAAOY/BrU2VFQd-F0LWckCCluozQW8OBB8RhqcQCLcBGAs/s1600/winters_gold_breakheart.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="597" data-original-width="800" height="238" src="https://3.bp.blogspot.com/-WIiQxVsfuMI/WVvJRAhEf7I/AAAAAAAAAOY/BrU2VFQd-F0LWckCCluozQW8OBB8RhqcQCLcBGAs/s320/winters_gold_breakheart.jpg" width="320" /></a></div>
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<b><br />Winter’s Gold (Breakheart) 9 x 12 UART 400 grit 8 ply board </b><o:p></o:p></div>
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After surgery in January, there were few activities I was
allowed to pursue or enjoy as I recovered. One thing I was allowed was the opportunity
to walk. They encouraged me to walk. Having grown up in Saugus, Massachusetts,
not far from the Saugus Iron Works, National Historic Site, I knew the perfect
place to get myself out of the house and enjoy one of the few exercise options
allowed: Breakheart Reservation.<br />
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I spent countless hours at the hockey rink near the Saugus entrance to
Breakheart, but it wasn’t until much later in life that I started spending time
walking and enjoying the trails of this oasis of nature not far from US Route
One. As my wife battled cancer, which would eventually claim her, she often would
ask to go to Breakheart to walk. I think it allowed her for a few hours to
forget her illness and I was more than happy to accommodate here. There are
paved hills, though vehicles are not allowed, and that allows for peacefulness
without rival so close to Boston. Breakheart is 640 acres with several hills
200 feet or higher allowing for views of Boston.<br /><br /><o:p></o:p></div>
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During one of my many walks, I would often pass this stream.
Since I was there early in the morning, I would get to see the sun dance across
the snow and add beautiful colors to the rocks caressed by the winter water. I
loved the light, the contrast and how the water and its hints of orange and
yellow played off the cool blues and purples of the snow. Now the memory of
those walks helps to keep me cool on these long, warm summer days.</div>
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Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-72222986941714110882017-06-30T19:06:00.001-04:002017-06-30T19:06:13.124-04:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-_UvXQphNGBw/WVbY6lEEUXI/AAAAAAAAAOA/bF73Xb_74UYMnt5ht2-ohtj0WruUYRSsACLcBGAs/s1600/July_day_gloucester_coast.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="740" height="259" src="https://1.bp.blogspot.com/-_UvXQphNGBw/WVbY6lEEUXI/AAAAAAAAAOA/bF73Xb_74UYMnt5ht2-ohtj0WruUYRSsACLcBGAs/s320/July_day_gloucester_coast.jpg" width="320" /></a></div>
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<b>July Day (Gloucester Coast) 11 x 14 Uart 400 grit 8 Ply
board</b></div>
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In Gloucester, Massachusetts they have a famous statue on
the boulevard with the caption “They That Go Down to the Sea in Ships”
dedicated to those that make their living from the sea, who never returned to
their loved ones. People will often wonder what makes them go out in all kinds
of weather and risk their lives for so little return. It is love that makes
them cast off their lines, tempting fate. We all remember our first love and
our greatest love. The mystical powers that love holds over us. That is the
story of those who live and battle the sea. They experience that first love
each time their boat cuts a wave, they bring in a catch; they mend a net. They
risk everything for love! As do all of us. My family comes from Gloucester and
I have ventured there often and still do. It is on days like this that I fell
in love with the ocean and why I will forever embrace its charm, beauty and
fury.</div>
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Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-61046252622719974632017-06-30T19:03:00.001-04:002017-06-30T19:03:45.673-04:00<div class="separator" style="clear: both; text-align: left;">
<a href="https://4.bp.blogspot.com/-9uKcERvPk9g/WVbYiakmQdI/AAAAAAAAAN8/Cq3MzI8yZxUGpHZI-zB7z-k-aCv34QikgCLcBGAs/s1600/master_circle_cert_and_medal_cropped.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="576" data-original-width="439" height="320" src="https://4.bp.blogspot.com/-9uKcERvPk9g/WVbYiakmQdI/AAAAAAAAAN8/Cq3MzI8yZxUGpHZI-zB7z-k-aCv34QikgCLcBGAs/s320/master_circle_cert_and_medal_cropped.jpg" width="243" /></a></div>
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<b><span style="color: black; font-family: Verdana; font-size: 13.5pt; mso-no-proof: no;">International Association of Pastel Societies
Awards Master Circle Recognition to Lynn Artist</span></b><span style="font-family: Times; font-size: 10.0pt; mso-no-proof: no;"><o:p></o:p></span></div>
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Albuquerque, NM — The International Association of Pastel
Societies (IAPS) bestowed upon Lynn, Massachusetts artist Jeff Fioravanti the
designation of Master Circle Pastelist at its recent convention in Albuquerque,
New Mexico, June 6 – 11, 2017. Master Circle Pastelist is one of the highest
honors available to artists working in the pastel medium.<o:p></o:p></div>
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Jeff Fioravanti, grew up in Saugus, Massachusetts and has
resided in Lynn for 30 plus years, living near the entrance to Lynn Woods a
place he frequently walks and paints. He is a nationally recognized award
winning pastel artist, having been published in such publications as National
Geographic: The Civil War A Traveler’s Guide, Best of American Pastel Artists
Volume II (Kennedy Publications), Who’s Who in American Art and magazines such
as American Artist, Pastel Journal, as well as Pastel Artist International.<o:p></o:p></div>
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Fioravanti has often contributed his talents toward the
restoration and preservation of our nation’s landscapes and museum collections.
Fioravanti is a member of several pastel and other art associations, including
being an artist member of the North Shore Arts Association of Gloucester, Massachusetts,
as well as a signature artist member in nationall recognized groups like, The
Connecticut Pastel Society, Pastel Society of Maine, Pastel Painters Society of
Cape Cod, Pastel Society of New Hampshire and the most prestigious pastel group
in the United States, the Pastel Society of America based in New York City.<o:p></o:p></div>
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Based on networking and sharing, the International
Association of Pastel Societies (IAPS) was founded in 1994 as a non-profit
organization representing pastel societies worldwide uniting in the common
cause to demonstrate the validity and quality of pastel fine art. This coming
together of pastel societies provides a strong voice for pastel artists and the
luminous medium of pastel.<o:p></o:p></div>
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Fioravanti will soon have a solo exhibit at the Lynn Musuem
opening July 5, 2017 and running through December 22, 2017. For additional
information on the preservation efforts and artwork of Jeff Fioravanti, please
contact him at (781) 595-5961, or visit him online at <a href="http://www.fioravantifineart.com/">http://www.FioravantiFineArt.com</a>.<o:p></o:p></div>
Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-62761131419515430582017-05-01T15:17:00.001-04:002017-05-01T15:17:18.890-04:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-siDaWCbBeRM/WQeI7Ni6CRI/AAAAAAAAANY/sBjHJ5K6H2YmMs9Qc8clRTEqopTVKsYgACLcB/s1600/the_chain_%2528life%2529.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="258" src="https://2.bp.blogspot.com/-siDaWCbBeRM/WQeI7Ni6CRI/AAAAAAAAANY/sBjHJ5K6H2YmMs9Qc8clRTEqopTVKsYgACLcB/s320/the_chain_%2528life%2529.jpg" width="320" /></a></div>
<h2>
<b><br /></b></h2>
<h2>
<b><br /></b></h2>
<h2>
<b><br /></b></h2>
<h2>
<b><br /></b></h2>
<h2>
<b><br /></b></h2>
<h2>
<b><br /></b></h2>
<b><br /></b>
<b><br /></b>
<b><br /></b>
<b><br /></b>
<b><br /></b>
<b><br /></b>
<b>The Chain (Life) </b>16 x 20 pastel on 400 grit Uart 8 ply board<br />
<br />
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<o:p></o:p></div>
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The chain keeps us grounded. The tide rises and falls bringing with it the
events we experience as part of our life and the people we encounter over time,
the many changes we know, sometimes subtle
and sometimes not, sometimes good and sometimes not. The chain starts out shiny
and new, full of hope, over time and the course of its journey, doing its job, it
gathers the memories, the trials and challenges, it changes from youth to old
age, always it stands fast trying to keep the dock in place, us in place,
centered, but it gets worn, rusted, aged. Eventually the chain is beaten down,
weakened or replaced, discarded, an old good life is ended and a new life, with
new hope, begins yet again.</div>
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<o:p></o:p></div>
Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-9987887383306430502017-04-02T13:24:00.001-04:002017-04-02T13:24:35.826-04:00<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;"><br /><br />March Thaw (Breakheart Reservation)</span> 9 x 12 pastel Uart 400
grit 8 ply board<o:p></o:p></div>
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<br /></div>
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Everybody looks to the coming of Spring after a long, harsh
Winter. Here in New England the colors of Winter start to melt into the
upcoming season and the rejuvenation of the landscape. <o:p></o:p></div>
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Having grown up in Saugus, where Breakheart is located, I
have walked here, run here and enjoyed its peaceful vistas for years. My wife
and I used to walk here often as well when she was battling cancer, she has
since passed away, but her memory is in every step. Likewise, since my recent back surgery limits
my activity to only walking, I have been revisiting this special place located
in my hometown. <o:p></o:p></div>
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It is said, that Union soldiers training in the area before
heading south found the place so desolate and lonely, that it would “break your
heart”. Years later during the Great Depression, the State of Massachusetts
would acquire this area as a camp for the Civilian Conservation Corps. Today it
consists of 640 acres, is open year round and has hiking trails and views of
Boston, central Massachusetts and New Hampshire.<o:p></o:p></div>
<!--EndFragment-->Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-47518176544055446192017-04-01T18:34:00.001-04:002017-04-01T18:34:06.173-04:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-TdsQkeiDFVo/WOAqkB17HLI/AAAAAAAAAMc/dknB-8FBCV0ofwaCNfkfyHGVThoAr3AfwCLcB/s1600/obstinate_determination.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="255" src="https://4.bp.blogspot.com/-TdsQkeiDFVo/WOAqkB17HLI/AAAAAAAAAMc/dknB-8FBCV0ofwaCNfkfyHGVThoAr3AfwCLcB/s320/obstinate_determination.jpg" width="320" /></a></div>
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<span style="font-size: large;">Obstinate Determination</span> 8 x 10 Pastel on 8 ply 400 grit Uart
board<o:p></o:p></div>
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In war, if you can get upon your opponents flank, you could
do some serious damage to that enemy. You could create great chaos as you
brought your guns to bear down their entire line also known as enfilade. Officers
feared it, for not only the physical damage to their troops, but the
psychological as well. In attempts to prevent this, armies would often place
their flank on a geographical feature, such as a river, or hills to protect the
end of their line and eliminate the risk of being taken in such a demoralizing
and destructive manner.<o:p></o:p></div>
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In August in 1862, on a late afternoon of the 28<sup>th</sup>,
Lt. General Thomas “Stonewall” Jackson would turn to his command staff and
state. “Bring out your men, gentlemen.” Jackson had been watching a column of
Union troops, plodding along in the late summer heat on the dusty road to his
front. The heat and long march had taken a toll on the troops in blue as their
marching was somewhat ragged and Jackson sensed they ripe for the picking.
Plus, he was on their flank.<o:p></o:p></div>
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To protect themselves, Confederate troops in butternut and
gray would place their right flank on this area of wood and water as they
filtered out in a line of battle from the safety of the shadows. They opened
fire on the tired Federals, but to their surprise the expected chaos and
confusion they had seen Federal soldiers in previous battles did not
materialize. The Union troops this day were veterans and while surprised, panic
was not in their vocabulary. <o:p></o:p></div>
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Under the command of Philadelphia born, but North Carolina
raised John Gibbon, the troops this day were what was in the day, Western
troops comprised of the 2<sup>nd</sup>, 6<sup>th</sup> and 7<sup>th</sup>
Wisconsin along with the 19<sup>th</sup> Indiana, also known as the “Black Hats”
or later known as the “Iron Brigade”. They were fighters and were primed to
prove it.<o:p></o:p></div>
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The two sides marched toward each other until within roughly
100 yards the 2<sup>nd</sup> Wisconsin unleashed a devastating volley that
staggered the Confederates to their front. After this initial blast, the two
sides would halt and stand toe to toe, with many of the soldiers in both armies
falling where they stood.<span style="mso-spacerun: yes;"> </span>As the sun
dropped and the fighting diminished in the late summer’s eve, where previously muzzle
flashes illuminated the land, now lanterns flickered on blood stained grass,
searching the field for wounded that might yet be saved. <o:p></o:p></div>
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Though the battle produced not much more than sadness for
families who would never see their sons, fathers, brothers, again, in some ways
the staunch fighting by the soldiers from the Army of the Potomac served
noticed that things were slowly changing in the blue clad infantry. Under solid
leaders they would not easily be intimidated. Confirmed by the reactions of Confederate
troops and especially Jackson who were not accustomed to such stubborn
resistance, prompting General “Stonewall” Jackson to later remark that these
Yankees fought with an “obstinate determination”.<o:p></o:p></div>
Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-80764570314452778632017-04-01T18:26:00.002-04:002017-04-01T18:30:36.713-04:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-u7RvZ2kLKiM/WOAoj1EbGFI/AAAAAAAAAMQ/ZY13VKqTpcMLXUWmMCtFB2JGqJzxOok3QCLcB/s1600/spotsylvania_sentinel_originalscan_cropped_adj.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="228" src="https://4.bp.blogspot.com/-u7RvZ2kLKiM/WOAoj1EbGFI/AAAAAAAAAMQ/ZY13VKqTpcMLXUWmMCtFB2JGqJzxOok3QCLcB/s320/spotsylvania_sentinel_originalscan_cropped_adj.jpg" width="320" /></a></div>
<span style="font-size: large;">Spotsylvania Sentinel</span> <span style="font-weight: normal;">5 x 7 pastel on Uart 400 grit 8 ply
board</span><br />
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<o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
On May 10, 1864, at approximately 6:30 PM, Union troops
under the command of Colonel Emory Upton would burst through the woods in the
distance in an attempt to breach the Confederate earthworks approximately 200
yards away. Unlike most assaults of the time, instead of forming his troops in
a line, and formed them in a tightly compacted column, all with fixed bayonets
and only the first three ranks loaded to fire their muskets. The idea was to
act like a battering ram and to overwhelm the soldiers in gray.<o:p></o:p></div>
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Upton’s troops covered the 200 yards in a matter of seconds.
The initial line of soldiers were cut down by the Georgians defending the
Confederate trenches, but they were soon overwhelmed by the mass of blue who
cut through their line like a hot knife through butter. Onward came the blue
wave toward the CSA second line. Here they met resistance from the
reinforcements deployed by Lee to break the Union assault. The Union troops
held, but Upton, realizing no reinforcements were coming to his aid, slowly
pulled back to his own lines. <o:p></o:p></div>
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Upton’s plan was only to penetrate the Confederate
entrenchments and to that end, it would be considered a success. General Grant,
would take that success two days later and send the entire second Corps under
Winfield Hancock to assault the same general area in a similar fashion. The
Muleshoe would become synonymous with the term the horrors of war, as American
fathers, sons, brothers and young men would commit untold amounts of carnage
upon each other not before seen in this already far too bloody conflict. <o:p></o:p></div>
Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-77092912222444232902017-04-01T18:18:00.002-04:002017-04-01T18:30:20.026-04:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-uVEZMxboOfw/WOAm9ahtPsI/AAAAAAAAAME/i_-aauDpp3ojnp19eskRmvt8fzFBzSUNACLcB/s1600/the_vision_place_of_souls_cropped_adj.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="236" src="https://2.bp.blogspot.com/-uVEZMxboOfw/WOAm9ahtPsI/AAAAAAAAAME/i_-aauDpp3ojnp19eskRmvt8fzFBzSUNACLcB/s320/the_vision_place_of_souls_cropped_adj.jpg" width="320" /></a></div>
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<span style="font-size: large;">The Vision Place of Souls</span> 18 x 24 on Wallis pastel paper<br />
<br />
Along this wall to the trees in the distance would crash
what would become known as the “High Tide” of the Confederacy. Never again
would the Army of Northern Virginia make a serious foray onto Northern soil as
they did in July 1863. <br />
<br />
In 1889, young men, aged by time, would return to this field and many like it,
to remember their lost youth. They would come here and elsewhere to remember
their family and friends, neighbors, who would never leave these fields. But
they would come here, not just for the past but also for the future. For people
of today, so they too might think of those young men, and just what they
sacrificed, because what they sacrificed are the footprints of our nation
today. <br />
<br />
This is no more evident than these words, uttered by Joshua L. Chamberlain in
October 1889, when he would say: “<i style="mso-bidi-font-style: normal;"><span style="color: #131313; mso-bidi-font-family: Merriweather-Regular;">In great deeds,
something abides. On great fields, something stays. Forms change and pass;
bodies disappear; but spirits linger, to consecrate ground for the vision-place
of souls…generations that know us not and that we know not of, heart-drawn to
see where and by whom great things were suffered and done for them, shall come
to this deathless field, to ponder and dream; and lo! the shadow of a mighty
presence shall wrap them in its bosom, and the power of the vision pass into
their souls.”</span><o:p></o:p></i></div>
Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-57873942608112527752017-04-01T18:14:00.004-04:002017-04-01T18:31:35.935-04:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-jWMH9ATxtOg/WOAmK_P0aqI/AAAAAAAAAL8/wGBEaB4dd3suoUxdbPFRtfHwYXSv44ydQCLcB/s1600/What-Carnage%2521%2528Fredericksburg_Va%2529.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="230" src="https://1.bp.blogspot.com/-jWMH9ATxtOg/WOAmK_P0aqI/AAAAAAAAAL8/wGBEaB4dd3suoUxdbPFRtfHwYXSv44ydQCLcB/s320/What-Carnage%2521%2528Fredericksburg_Va%2529.jpg" width="320" /></a></div>
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<span style="font-size: large;"><br /></span>
<span style="font-size: large;"><br />What Carnage</span> 5 x 7 pastel on Uart 8 ply board<br />
<br />
Today, a quiet pall embraces each individual who walks the
small lane that in December, 1862 would serve to be one of the bloodiest events
of the American Civil War, later described with two simple words by a member of
the 19<sup>th</sup> Massachusetts: “What Carnage!”<o:p></o:p></div>
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Fredericksburg, Virginia is situated on the Rappahannock
River roughly mid way between Washington, D.C. and Richmond, Virginia. <span style="mso-spacerun: yes;"> </span>Between the dates of December 11-15, 1862, two
American armies, the Northern or Union commanded by General Ambrose Burnsides
(his famous whiskers would provide us with the now known sideburns) and the
Southern or Confederates commanded by Robert E. Lee (often considered one of
the greatest officer’s produced by West Point Military Academy).<o:p></o:p></div>
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Heading southbound on US Route 1 in Lynnfield,
Massachusetts, you would in today’s world find yourself driving over a portion
of what was in the 1860’s a training ground for soldiers in the volunteer
regiments of the State of Massachusetts. Men who would find themselves involved
in one of the most defining periods of US history: The American Civil War.<o:p></o:p></div>
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One of the first units that would train in this location was
the 19<sup>th</sup> Massachusetts. <span style="mso-spacerun: yes;"> </span>The19th was comprised of men from many of the
surrounding towns. They would fight extensively in the Eastern Theater of the
war as part of the Army of the Potomac. On December 13, 1862, the soldiers, of
this unit would find themselves involved in the Battle of Fredericksburg. Fredericksburg
would be one of the more lopsided battles of the war, as wave upon wave of
Union soldiers would approach this wall, only to be cut down by the Southern
soldiers defending the position. <o:p></o:p></div>
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Of the position, and prior to the Union assaults, Lt Colonel
Edward Porter Alexander an artillery officer in the Army of Northern Virginia would
tell James Longstreet, “A chicken could not live on that field when we open on
it.”<span style="mso-spacerun: yes;"> </span><o:p></o:p></div>
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Today because of urban sprawl and development it is
difficult to get a full appreciation of Alexander’s quote and of the daunting
task the Union soldiers faced attempting to assault and take that wall,
something they would never accomplish. At this wall, the Union Army would
suffer eight casualties for every one sustained by the Confederates. For the
Battle, which included assaults on Stonewall Jackson’s position south of this
location, the loss would be almost 13,000 for the north and approximately 5,000
for the South. <o:p></o:p></div>
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Captain Henry Abbott of the 20<sup>th</sup> Massachusetts
would exclaim that this was “nothing but murder”. While a soldier in the 19<sup>th</sup>
Massachusetts would refer to the events before the wall with just two words:
“What Carnage!”<o:p></o:p></div>
Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-20271954730438927382016-05-14T10:34:00.004-04:002016-05-14T10:34:53.411-04:00Below is a recent oil (10x14) of the Snyder Farm at Gettysburg National Military Park in Gettysburg, Pennsylvania. This piece is expected to be included in an upcoming exhibit (Fall 2016) of my work at the Lynn Museum in conjunction with a program on the American Civil War.<br />
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<a href="https://3.bp.blogspot.com/-3X8q2KyVQj8/Vzc3fBhEezI/AAAAAAAAALM/KTqjHUJOGOcxCikV6rZ75NB7rUqFBNLugCLcB/s1600/snyder_farm_Gettysburg.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="231" src="https://3.bp.blogspot.com/-3X8q2KyVQj8/Vzc3fBhEezI/AAAAAAAAALM/KTqjHUJOGOcxCikV6rZ75NB7rUqFBNLugCLcB/s320/snyder_farm_Gettysburg.jpg" width="320" /></a></div>
<br />Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-19376404371803195952016-02-06T12:45:00.003-05:002016-02-06T12:48:04.828-05:00The following article appeared in the local newspaper after my being named to the Master Circle by the International Association of Pastel Societies and my inclusion in National Geographic's The Civil War: A Traveler's Guide.<br />
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http://www.itemlive.com/lifestyle/national-geographic-to-feature-lynn-artist/<br />
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<br />Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-7524989984853774442015-08-10T20:52:00.003-04:002015-08-10T20:52:59.705-04:00<span style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 19px;">Dropped off four prints to River Tree Arts in Kennebunk, Maine earlier today. Hope you get a chance to stop by and take a look at these and the originals I currently have on display. As always, thanks for your support.</span><br />
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<a href="http://3.bp.blogspot.com/-2DlFs1vK6Cw/VclHE04qvPI/AAAAAAAAAKE/oEz6WwwCjQg/s1600/late_afternoon_surf_seascape_pastel.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="217" src="http://3.bp.blogspot.com/-2DlFs1vK6Cw/VclHE04qvPI/AAAAAAAAAKE/oEz6WwwCjQg/s320/late_afternoon_surf_seascape_pastel.jpg" width="320" /></a></div>
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<a href="http://2.bp.blogspot.com/-KjTVh7ae1-s/VclHRQuixgI/AAAAAAAAAKM/_Jmh4kOnMks/s1600/Oguinquit_Maine_seascape_pastel.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="213" src="http://2.bp.blogspot.com/-KjTVh7ae1-s/VclHRQuixgI/AAAAAAAAAKM/_Jmh4kOnMks/s320/Oguinquit_Maine_seascape_pastel.jpg" width="320" /></a></div>
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<a href="http://4.bp.blogspot.com/-d4VbTTrQCSI/VclHRtwnPBI/AAAAAAAAAKU/FJDjsi-YL5M/s1600/winters_glow_lynn_woods_landscape_pastel.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="http://4.bp.blogspot.com/-d4VbTTrQCSI/VclHRtwnPBI/AAAAAAAAAKU/FJDjsi-YL5M/s320/winters_glow_lynn_woods_landscape_pastel.jpg" width="218" /></a></div>
<span style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 19px;"><br /></span>Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com1tag:blogger.com,1999:blog-3320117957003659265.post-35475803727382454502015-07-20T20:23:00.003-04:002015-07-20T20:23:31.120-04:00<span style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 19px;">After work today, I headed north to Kennebunk, Maine to meet with Julia Einstein, gallery directory at River Tree Arts, 35 Western Ave, Kennebunk, Maine. Approximately two weeks prior to today I had had a phone conversation with Ms Einstein regarding my artwork and perhaps my showing in her gallery. After that phone conversation, we had left it that we would meet in person on one of the upcoming Monday afternoons she would be in the gallery. Today was the day. I brought with </span><span class="text_exposed_show" style="color: #141823; display: inline; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 19px;">me six originals and some samples of my prints. We discussed my work, the pieces I had brought and after a little over an hour, I left with four pieces, as she decided she would like to keep the two below to include in her current exhibition Summer Fresh Air, which will be on display until September 26, 2015. These pieces both just recently returned from national exhibits and the piece "Buoys Night Out (Little Lake St. George, Liberty, ME)" received the Dick Neuville Memorial Award the recent <a class="profileLink" data-hovercard="/ajax/hovercard/page.php?id=128524427223966" href="https://www.facebook.com/pages/Pastel-Painters-of-Maine/128524427223966" style="color: #3b5998; cursor: pointer; text-decoration: none;">Pastel Painters of Maine</a> national Juried Exhibition at the Lewis Gallery at the Portland Public Library, Portland, Maine. River Tree Arts is open M-Fri 10 AM - 6:00 PM and Saturday 10 AM - 4 PM. There are also extended hours each month when they open additional exhibitions, including an upcoming opening July 31, 2015, with hours from 4-7 PM. I hope you will get up to Kennebunk, Maine and check out the exhibit and of course my artwork. In closing, thanks to longtime friend <a class="profileLink" data-hovercard="/ajax/hovercard/user.php?id=1603143975" href="https://www.facebook.com/john.spinney.50" style="color: #3b5998; cursor: pointer; text-decoration: none;">John Spinney</a> for putting me in touch River Tree Arts and specifically Julia Einstein. Also to <a class="profileLink" data-hovercard="/ajax/hovercard/user.php?id=1543440840" href="https://www.facebook.com/carenmarie.michel" style="color: #3b5998; cursor: pointer; text-decoration: none;">Caren-Marie Michel</a> a fine artist, friend and instructor at River Tree Arts. Additional information about River Tree Arts can be found on their web site <a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.rivertreearts.org%2F&h=HAQEMDdfc&enc=AZMLs-erxeT1jH-U36vu3b4QsyZsneuFut6K7qOZ5mkOo0EKieHTMxO9TpaN1RfbMwCWZ4yz7hXS_BlrsoMWqrcTnGF78g3f05jOHqWqLyTdIqHl06-NLFA6U7y_c83-DCqqhIND-zaFY_jUzAvJPb1Hpf0jzZ-gu46lj4p0_ZgFDmCkzKpmeyqKrKDObO1lp2NSRTBSDViFWu7XmFNB-UHm&s=1" rel="nofollow" style="color: #3b5998; cursor: pointer; text-decoration: none;" target="_blank">www.rivertreearts.org</a> and on their Facebook page <a class="profileLink" data-hovercard="/ajax/hovercard/page.php?id=158980844434" href="https://www.facebook.com/pages/River-Tree-Arts/158980844434" style="color: #3b5998; cursor: pointer; text-decoration: none;">https://www.facebook.com/pages/River-Tree-Arts/158980844434</a></span><br />
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<a href="http://3.bp.blogspot.com/-Z2TA62jxat8/Va2Q2YLLnTI/AAAAAAAAAJo/WPTk4KBtcAE/s1600/Fioravanti_J_buoys_night_out_sunset_on_little_lake_st_george_liberty_maine.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="212" src="http://3.bp.blogspot.com/-Z2TA62jxat8/Va2Q2YLLnTI/AAAAAAAAAJo/WPTk4KBtcAE/s320/Fioravanti_J_buoys_night_out_sunset_on_little_lake_st_george_liberty_maine.jpg" width="320" /></a></div>
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<a href="http://1.bp.blogspot.com/-pb-BYcKVmB0/Va2Q7BrX2dI/AAAAAAAAAJw/6n2Q1OcAlLA/s1600/In_Silence%2528Seabrook_NH%2529.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="209" src="http://1.bp.blogspot.com/-pb-BYcKVmB0/Va2Q7BrX2dI/AAAAAAAAAJw/6n2Q1OcAlLA/s320/In_Silence%2528Seabrook_NH%2529.jpg" width="320" /></a></div>
<br />Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-29296117110211836922015-07-04T19:27:00.002-04:002015-07-04T19:27:48.281-04:00<span style="background-color: white;"><span style="color: #141823; font-family: helvetica, arial, sans-serif;"><span style="font-size: 14px; line-height: 19px;">This is a recently completed oil on canvas entitled "Quiet Autumn" and measures 12 x 16. Oils offer a different challenge, especially since I've really only been working in them with any consistency in the past year. Still there are elements of oils that I cannot get with pastels, which os my main medium or other mediums I will attempt.</span></span></span><br />
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<a href="http://3.bp.blogspot.com/-ltU5XHPO9KI/VZhrlAWdBVI/AAAAAAAAAJY/J5gPsYlg_Zc/s1600/quiet_autumn_fb.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="238" src="http://3.bp.blogspot.com/-ltU5XHPO9KI/VZhrlAWdBVI/AAAAAAAAAJY/J5gPsYlg_Zc/s320/quiet_autumn_fb.jpg" width="320" /></a></div>
Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-73010438313031841092015-06-29T19:22:00.003-04:002015-06-29T19:22:42.977-04:00<span style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 19px;">On Saturday evening at the Pastel Painter's of Maine 16th Annual International Juried Exhibition closing ceremonies, I was fortunate to receive the following. It was somewhat poetic. Dick passed away the day before what would have been my wife's 55th birthday. Like my wife, he loved Maine, but especially the sunsets of Maine. It was fitting then that my piece "Buoys Night Out (Little Lake St George / Liberty, ME)" would be the initial recipient of the award dedicated in his honor. I was deeply moved to have his widow make the presentation, and equally moved by meeting his entire family. Nice people. Thank you Barbara Janiecke for selecting my work for this award. Thank you Kate Bergquist for the excellent pronunciation of my last name when making the presentation. :-)</span><br />
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<span style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 19px;"><br /></span>Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0tag:blogger.com,1999:blog-3320117957003659265.post-40851546431134046452015-06-03T16:26:00.003-04:002015-06-03T16:26:49.290-04:00The 2015 Pastel Painters of Maine National Exhibition will open June 5, 2015 and run through June 27, 2015 at the Lewis Gallery in the Portland Public Library, Portland, Maine. I have two pieces in this exhibit. The first is "Buoys Night Out (Little Lake St. George, Liberty, ME)" while the second is "I'm a Roadrunner Baby"<br />
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Jeff Fioravantihttp://www.blogger.com/profile/13965789423944515454noreply@blogger.com0